Tuesday, July 18, 2006

1) Update and 2) Something that involves your time and thought

This is the update portion. You should be able to read and fully comprehend in 1-2 minutes.

I was going to write this really big to-do celebrating the fact that I have lived here for one year (which is 364.5 days longer than G@rth Br00ks lasted the first time he moved to town… and no, I’m not kidding). I’m just getting tired of some of my attempts to be profound or pat myself on the back. I don’t know. Maybe I’m getting tired of blogging, maybe I’ve become cynical. Whatever.

The bottom line is I can now find my way to the movie theater without getting lost. I know the back way to the row. When someone says “The Gu1ch” I know where they’re talking about. Yeah, I’ve stuck it out and that’s fine and good. There’s more to life than just showing up, so that’s all I have to say about the subject.

Last night’s, um, show was fine. There was almost no one there, I sounded like I hadn’t played a live show in two years, and everyone was very supportive. It was a really good way to eek may way back into playing out, and I will do it a few more times before I start trying to make a move to anything more involved.

This is the more involved part. You will need 5-15 minutes to really get the benefit of this portion of the entry.

I have suspected something about myself for some time, begun to confirm it recently, and solidified my knowledge last night (at the show and at a workshop I attended right before the show). It is yet another component of what I might call being “slow”… not so much as a euphemism for being mentally or developmentally disabled (though I suppose there is room for debate in that regard), but more in the sense of being “methodical” or “not quick to judge.”

I have long said of myself that I am a person of “horrible initiative and tremendous endurance.” I actually made that up one day to shut Dwight up as he was trying to describe me to me. I’m sure there was some type of whiskey or wine involved in that conversation and that self-description. Nevertheless, I have thought it appropriate since that time. Besides being somewhat accurate, it often calms me down when I realize that a tremendous amount of the citizens of the world jump blindly into situations as I stand at the top of the cliff with my saliva-covered finger in the air, trying to feel which side gets cold.

So, I was listening to songs at a workshop, and the person doing critiques was saying very positive things about the songs he heard. Sometimes, he was going further than simply saying nice things, he was doing something about his opinion that meant he really did feel positively about the song at hand, er, ear. Almost the whole time, I was thinking, “Man, I just don’t hear it. I just don’t.”

Later, I heard a song at the show – a cover of a song from my childhood that has recently been used as music for a commercial. I had recently been drawn to it a little bit, but hearing it live after some twenty-ish years really attracted me to it. It was just one line of lyric and one little continuation of melody at the end of every chorus. It just struck me as brilliant, and it took me this long to figure it out. I realize the song may seem hokey to some, and that’s fine… but I know no one who could have written a line as strong as “Whatever we deny 0r embrace” and thereby have put “being meant for someone" in a completely new context - a context that doesn’t involve the word “perfect.”

There are two others that come to mind, and I’m going to leave them out there for you. These are classic songs, but I suspect that most won't know them. This isn’t a test, it’s just a method of sharing my initial learning of and companion bewilderment with the true meaning or best interpretation of these gems. You may think I'm an idiot for not getting these immediately, or you may realize something very cool.

I'm not being a comment whore. If you don't want to participate or think it's silly, don't. If you do, and wish to express your amazement or state of not being whelmed, then that's great too.

(breath)

So here you go. The first is intensely silly, and to get it you must read the lyrics and pronounce the title line very very loosely. It took me twenty years of listening to this song to get that. I suspect that I just wasn't paying attention. If you want, you can comment with the intended hearing of the title (but see below, please) if you are faster than I am (was) and get it.

The second is one of the best pure love songs I have ever known. Unfortunately, I didn’t realize the most amazing (and probably intended) interpretation of the final verse until I was thinking about the song in the shower today. Look at it, think ever so slightly outside “the moment” in the third verse, and see if you come up with it. If you realize how amazing the answer is, you will know that you have realized it – you should choke (please don’t comment with it, but if you want to say that you think you get it, that's fine). I will title my next entry with what I think it is.

6 comments:

Mr. Oubre said...

For the record, I love Pat Benetar and that song is one of my favorites. Just FYI.

Oob said...

I'm whelmed. I get it.

Moose-Tipping said...

Maybe I'm the dense one of the group. I don't get it.

That guy said...

I'm pretty sure I get the Ray Stevens one.

For the other one, I'm not sure if I should be thinking more "end of the Notebook" or "end of Titanic." I'm open to suggestions.

galarza said...

i dont get it but it reminds me of nathan & clarice in the little texas video. but i still dont get it.

Chris said...

I thought outside the moment, but I think I went to far because I ended up in a completely different moment. Then "A moment like this" from AI season one popped into my head. That is never good. I can't wait for an explanation by the teacher. No... really... please explain.